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You are here: Home1 / Journal2 / Spring 2020_#Intelligence
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Features

Editorial NECSUS

From ‘video essay’ to ‘video monograph’?: Indy Vinyl as academic book by Ian Garwood

New perspectives on an imperfect cinema: Smartphones, spectatorship, and screen culture 2.0 by Kata Szita

Film studies, feminism, and film curating in Germany: An interview with Heide Schlüpmann and Karola Gramann by Chris Tedjasukmana & Julia Leyda

The play of iconicity in Lars von Trier’s The House That Jack Built by Bodil Marie Stavning Thomsen

Special section: #Intelligence

          edited by Patricia Pisters and Ruggero Eugeni

The artificial intelligence of a machine: Moving images in the age of algorithms by Patricia Pisters and Ruggero Eugeni

The Golem in the age of artificial intelligence by Amir Vudka

Tales from the cyborg society: The construction of subject and power in contemporary artificial intelligence(s) narratives by Patricia Trapero-Llobera

Playing intelligence: On representations and uses of artificial intelligence in videogames by Martin Hennig

Augmented consciousness: Artificial gazes fifty years after Gene Youngblood’s Expanded Cinema by Federico Biggio

Ghost in the (Hollywood) machine: Emergent applications of artificial intelligence in the film industry by Pei-Sze Chow

Clipping us together: The case of the Google Clips camera by Oshri Bar-Gil

Critical re-modelling of algorithm-driven intelligence as commonist media practice by Shintaro Miyazaki

Audiovisual Essays

          edited by Richard Misek

A Machine for Viewing by Richard Misek

A Machine for Viewing – 1 – A Frame of the Mind by Charlie Shackleton

A Machine for Viewing – 2 – A Pillow of Light by Richard Misek

A Machine for Viewing – 3 – Manual for a Disassembly of Cinema by Oscar Raby

Book Reviews

          edited by Lavinia Brydon and Victoria Pastor-González

Futurist Cinema / Cubism and Futurism by Malgorzata Bugaj

(Ad)Dressing film history: Film and Fashion amidst the Ruins of Berlin / Film, Fashion and the 1960s by Bianka-Isabell Scharmann

Megaphone, Molotov, Moviola: 1968 and Global Cinema / Celluloid Revolt by Nace Zavrl

Festival Reviews

          edited by Marijke de Valck and Antoine Damiens

Nothing short of a revolution: A conversation with Frank Saptel of the Canadian Labour International Film Festival by Juan Velásquez-Buriticá

VR on the film festival circuit: IDFA & IFFR 2017-2019 by Niv Fux

Queer City Cinema’s ‘Qaleidoscope’: Festival movements, curation experiments, and queer experimentality by Zeynep Kartal

Exhibition Reviews

          edited by Miriam de Rosa and Leo Goldsmith

Cinema and a ‘time-varying universe’: An interview with curator Antonio Somaini by Occitane Lacurie and Barnabé Sauvage

Making the Xapiri dance: Photography and shamanism in the exhibition Claudia Andujar, The Yanomami Struggle by Raquel Schefer

 

 

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Editorial Board

Martine Beugnet
University of Paris 7 Diderot

Greg de Cuir Jr
University of Arts Belgrade

Ilona Hongisto
University of Helsinki

Judith Keilbach
Universiteit Utrecht

Skadi Loist
Norwegian University of Science and Technology

Toni Pape
University of Amsterdam

Maria A. Velez-Serna
University of Stirling

Andrea Virginás 
Babeș-Bolyai University

Partners

We would like to thank the following institutions for their support:

  • European Network for Cinema and Media Studies (NECS)
  • Further acknowledgements →

Publisher

NECS–European Network for Cinema and Media Studies is a non-profit organization bringing together scholars, archivists, programmers and practitioners.

Access

Online
The online version of NECSUS is published in Open Access and all issue contents are free and accessible to the public.

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The online repository media/rep/ provides PDF downloads to aid referencing. Volumes are also indexed in the DOAJ. Please consider the environmental costs of printing versus reading online.

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