Features
From ‘video essay’ to ‘video monograph’?: Indy Vinyl as academic book by Ian Garwood
New perspectives on an imperfect cinema: Smartphones, spectatorship, and screen culture 2.0 by Kata Szita
Film studies, feminism, and film curating in Germany: An interview with Heide Schlüpmann and Karola Gramann by Chris Tedjasukmana & Julia Leyda
The play of iconicity in Lars von Trier’s The House That Jack Built by Bodil Marie Stavning Thomsen
Special section: #Intelligence
edited by Patricia Pisters and Ruggero Eugeni
The artificial intelligence of a machine: Moving images in the age of algorithms by Patricia Pisters and Ruggero Eugeni
The Golem in the age of artificial intelligence by Amir Vudka
Tales from the cyborg society: The construction of subject and power in contemporary artificial intelligence(s) narratives by Patricia Trapero-Llobera
Playing intelligence: On representations and uses of artificial intelligence in videogames by Martin Henning
Augmented consciousness: Artificial gazes fifty years after Gene Youngblood’s Expanded Cinema by Federico Biggio
Ghost in the (Hollywood) machine: Emergent applications of artificial intelligence in the film industry by Pei-Sze Chow
Clipping us together: The case of the Google Clips camera by Oshri Bar-Gil
Critical re-modelling of algorithm-driven intelligence as commonist media practice by Shintaro Miyazaki
Audiovisual Essays
edited by Richard Misek
A Machine for Viewing by Richard Misek
A Machine for Viewing – 1 – A Frame of the Mind by Charlie Shackleton
A Machine for Viewing – 2 – A Pillow of Light by Richard Misek
A Machine for Viewing – 3 – Manual for a Disassembly of Cinema by Oscar Raby
Book Reviews
edited by Lavinia Brydon and Victoria Pastor-González
Futurist Cinema / Cubism and Futurism by Malgorzata Bugaj
(Ad)Dressing film history: Film and Fashion amidst the Ruins of Berlin / Film, Fashion and the 1960s by Bianka-Isabell Scharmann
Megaphone, Molotov, Moviola: 1968 and Global Cinema / Celluloid Revolt by Nace Zavrl
Festival Reviews
edited by Marijke de Valck and Antoine Damiens
Nothing short of a revolution: A conversation with Frank Saptel of the Canadian Labour International Film Festival by Juan Velásquez-Buriticá
VR on the film festival circuit: IDFA & IFFR 2017-2019 by Niv Fux
Queer City Cinema’s ‘Qaleidoscope’: Festival movements, curation experiments, and queer experimentality by Zeynep Kartal
Exhibition Reviews
edited by Miriam de Rosa and Leo Goldsmith
Cinema and a ‘time-varying universe’: An interview with curator Antonio Somaini by Occitane Lacurie and Barnabé Sauvage
Making the Xapiri dance: Photography and shamanism in the exhibition Claudia Andujar, The Yanomami Struggle by Raquel Schefer
