Features:

Editorial NECSUS

A conversation with Pierre Sorlin about film studies, film and history, and European cinema by Francesco Pitassio

The film is the museum: Ken Jacobs, Gus Van Sant, Mark Lewis, and Pierre Perrault by Barbara Le Maître

Haunting surveillance: Foregrounding the spectre of the medium in CCTV and military drones by Paula Albuquerque

Between scenes: Glasgow’s alternative film spaces in the 1990s by Alexandra-Maria Colta and María A. Vélez-Serna

Television as new media: Raymond-Millet’s Télévision: Oeil de Demain (1947) and the politics of French experimental TV by Anne-Katrin Weber

Special section: #Emotions

edited by Jens Eder, Julian Hanich, and Jane Stadler 

Media and emotion: An introduction by Jens Eder, Julian Hanich, and Jane Stadler

The affective niches of media by Steffen Hven

Books of faces: Cultural techniques of basic emotions by Grant Bollmer

Brecht, emotion, and the reflective spectator: The case of BlacKkKlansman by Carl Plantinga

Strategic pleasure: Gendered anger as collective emotion in Wanted by E. Deidre Pribram

The emotional politics of limerence in romantic comedy films by Wyatt Moss-Wellington

Episodes of depression: Existential feelings and embodiment in Sharp Objects by David Evan Richard

Dreading the future: Narrative dread in Better Call Saul and contemporary television by David W R Brown 

Exhibition reviews:

edited by Miriam de Rosa and Leo Goldsmith

Digging deeper: On horizontal and vertical landscapes by Kyveli Mavrokordopoulou

Nothing to Write Home About by Roma Madan Soni

Book reviews:

edited by Lavinia Brydon and Victoria Pastor-González

Historiographies of women in early cinema by Asli Ozgen-Tuncer

European heritage and television by Donatella Valente

Audiovisual essays:

edited by Catherine Grant and Jaap Kooijman

New ways of seeing (and hearing): The audiovisual essay and television by Catherine Grant and Jaap Kooijman

How Black Lives Matter in The Wire: A video essay by Jason Mittell

Bodies at the border: Transnational co-produced TV drama and its gender politics in the pilots of Bron/Broen and adaptations, The Bridge and The Tunnel by Janet McCabe

The Female Narcotrafficker’s Tongue | La Lengua de la Narcotraficante by Juan Llamas-Rodriguez

Breaking Bad and surrealism by Angelo Restivo