Features:
A conversation with Pierre Sorlin about film studies, film and history, and European cinema by Francesco Pitassio
The film is the museum: Ken Jacobs, Gus Van Sant, Mark Lewis, and Pierre Perrault by Barbara Le Maître
Haunting surveillance: Foregrounding the spectre of the medium in CCTV and military drones by Paula Albuquerque
Between scenes: Glasgow’s alternative film spaces in the 1990s by Alexandra-Maria Colta and María A. Vélez-Serna
Television as new media: Raymond-Millet’s Télévision: Oeil de Demain (1947) and the politics of French experimental TV by Anne-Katrin Weber
Special section: #Emotions
edited by Jens Eder, Julian Hanich, and Jane Stadler
Media and emotion: An introduction by Jens Eder, Julian Hanich, and Jane Stadler
The affective niches of media by Steffen Hven
Books of faces: Cultural techniques of basic emotions by Grant Bollmer
Brecht, emotion, and the reflective spectator: The case of BlacKkKlansman by Carl Plantinga
Strategic pleasure: Gendered anger as collective emotion in Wanted by E. Deidre Pribram
The emotional politics of limerence in romantic comedy films by Wyatt Moss-Wellington
Episodes of depression: Existential feelings and embodiment in Sharp Objects by David Evan Richard
Dreading the future: Narrative dread in Better Call Saul and contemporary television by David W R Brown
Exhibition reviews:
edited by Miriam de Rosa and Leo Goldsmith
Digging deeper: On horizontal and vertical landscapes by Kyveli Mavrokordopoulou
Nothing to Write Home About by Roma Madan Soni
Book reviews:
edited by Lavinia Brydon and Victoria Pastor-González
Historiographies of women in early cinema by Asli Ozgen-Tuncer
European heritage and television by Donatella Valente
Audiovisual essays:
edited by Catherine Grant and Jaap Kooijman
New ways of seeing (and hearing): The audiovisual essay and television by Catherine Grant and Jaap Kooijman
How Black Lives Matter in The Wire: A video essay by Jason Mittell
The Female Narcotrafficker’s Tongue | La Lengua de la Narcotraficante by Juan Llamas-Rodriguez
Breaking Bad and surrealism by Angelo Restivo
