Editorial NECSUS

From mass psychology to media studies: Interview with Jaap van Ginneken on his Kurt Baschwitz biography by Geert Lovink

Interactive media and imperial subjects: Excavating the cinematic shooting gallery by Michael Cowan

The uncanny mediality of the photographic GIF by Arild Fetveit

Cinema, meteorology, and the erotics of weather by Emil Leth Meilvang

Special section: #Resolution

edited by Antonio Somaini and Francesco Casetti 


Festival reviews:

edited by Marijke de Valck and Skadi Loist

Mobile cinema as an archive in motion: A Wall is a Screen and urban memories by Dagmar Brunow

We need to talk about Indian Panorama: A report from the International Film Festival of India 2017 by Ratheesh Radhakrishnan

20 Years of Ícaro spreading its wings: Ícaro International Film Festival by Jasper Vanhaelemeesch

Exhibition reviews:

edited by Miriam de Rosa and Leo Goldsmith

Sergei Eisenstein: The Anthropology of Rhythm, a conversation with curators Marie Rebecchi and Elena Vogman by Alma Mileto

Engaging new audiences with old and new experimental film: The E*Cinema Academy film series at EYE Filmmuseum by Anna Dabrowska

We have never been (post)modern: Photography’s late encounters with film by Katarzyna Ruchel-Stockmans

Book reviews:

edited by Lavinia Brydon and Victoria Pastor-González

Inhuman Networks / Controversies in Digital Ethics by Jack Booth 

TV Socialism / Broadcasting Modernity by William Russell

First Comes Love / Presumed Intimacy by Fiona Handyside

Audiovisual essays:

edited by Miklós Kiss

Videographic scene analyses, part 1 by Miklós Kiss

Do It for Van Gogh by Liz Greene 

The Strange Streets of a Strange City: The Ambersons Montage by Patrick Keating 

Variations on a Scene by Davide Rapp

Playtime – How to Make a [Critical] Joke by Miklós Kiss