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You are here: Home1 / Journal2 / Autumn 2024_#Enough

Editorial NECSUS by Toni Pape, Martine Beugnet, Greg de Cuir Jr, Ilona Hongisto, Judith Keilbach, Skadi Loist, Maria A. Vélez Serna and Andrea Virginás

Special section: #Enough

Enough: Reading notes from media studies by Maria A. Vélez Serna, Judith Keilbach, Michał Pabiś-Orzeszyna, Toni Pape, Alejandro Pedregal, James R Price, Becca Voelcker

What is enough?: An interview with Toby Miller on degrowth and sustainability in media (studies) by Toni Pape and Mary-Joy van der Deure

It is never enough: Exploring the dynamics and aesthetics of enough through video archival testimonies by Özge Çelikaslan and Şirin Fulya Erensoy

Doudou Joop: The pirogue of cinema by Jade de Cock de Rameyen and Mamadou Khouma Gueye

Living imperfectly between knowledge and despair: Social impact entertainment, activism, and Dark Waters by Karim Townsend

The infinite as paradigm: Reframing the limits of AI art by Magdalena Krysztoforska and Oliver Kenny

Features

The rise of computational images: The role of star-targeting spectroscopy by Francesco Giarrusso

Additive processes as format: The Synchrome Corporation and the politics of early experimental film by Pierre J. Pernuit

Movies born online: The formalisation and industrialisation of Chinese internet movies by Katherine Morrow

Archival encounters: Institutional critique in contemporary found footage films by Finn D’Amico-Jubak

Poetics of refraction, Black subjectivity, and Alice Diop’s Saint Omer by Zina Giannopoulou

Audiovisual Essays: Coronaseries

          edited by Ariane Hudelet

Coping with a pandemic: Television series and COVID-19 by Ariane Hudelet

On Being With Normal People by Catherine Fowler

The Haunting of Ill House by Pierre-Olivier Toulza

Atemporalities and Becomings in the Age of Covid by Barbara Zecchi

Utopia by Mathias de Bondt

Festival Reviews

          edited by Marijke de Valck, Diane Burgess and Antoine Damiens

Animal Nature Future Film Festival and its transnational organisational structure by Wendy Wenxin Zhang

Films flying high: International Film Festival of the Heights in Jujuy, Argentina by Pablo Salas Tonello

Book Reviews

          edited by Victoria Pastor-González and Patricia Nogueira

From ASCII Art to Comic Sans: Typography and popular culture in the digital age by Siheng Zhu

Archaeology of projection and economy of the real by Giancarlo Grossi

Feminist Fandoms by River Seager

Exhibition Reviews

          edited by Miriam de Rosa and Annet Dekker

Atmospheric Spaces: Spatial Engagement in Echoes of the Earth and Synchronicity by Il Sun Moon

A time panorama: Unpacking ‘Calculating Empires’ by Domenico Quaranta

Describing a networked practice through conversation: An interview with Brooklyn J. Pakathi by Carly Whitaker

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Recent News

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December 9, 2024

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NECSUS – Call for Proposals: Features Spring 2025_#Features

Editorial Board

Martine Beugnet
University of Paris 7 Diderot

Greg de Cuir Jr
University of Arts Belgrade

Ilona Hongisto
University of Helsinki

Judith Keilbach
Universiteit Utrecht

Skadi Loist
Film University Babelsberg Konrad Wolf

Toni Pape
University of Amsterdam

Maria A. Velez-Serna
University of Stirling

Andrea Virginás 
Babeș-Bolyai University

Partners

We would like to thank the following institutions for their support:

  • European Network for Cinema and Media Studies (NECS)
  • Further acknowledgements →

Publisher

NECS–European Network for Cinema and Media Studies is a non-profit organization bringing together scholars, archivists, programmers and practitioners.

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Online
The online version of NECSUS is published in Open Access and all issue contents are free and accessible to the public.

Download
The online repository media/rep/ provides PDF downloads to aid referencing. Volumes are also indexed in the DOAJ. Please consider the environmental costs of printing versus reading online.

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