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You are here: Home1 / Journal2 / Autumn 2021_#Futures
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Editorial NECSUS

Disaggregation and Reconfiguration

The elusive form of film by Lúcia Nagib

Beyond the crisis of film studies by Petr Szczepanik

There is no such thing as Balkan cinema, and yes, Balkan cinema exists: Ruminations on the past and possible futures of Balkan cinema (and media) studies? by Ana Grgic

Still thinking it over: The history of cinema, global industries, and local film cultures, as viewed from Spain by Valeria Camporesi

Praxis and Operativity

A videographic future beyond film by Kevin B. Lee

On the study of games as media by Marco Benoît Carbone 

Film, media, and visual culture studies, and the challenge of machine learning by Antonio Somaini

Operative Imaginaries by Laliv Melamed

Labour and Collaboration

‘Work’ and ‘labour’ in film and media studies: Lifepath, introspection, survival by Andrea Virginás

Ten years of festival reviews: Celebrating a minor academic genre by Marijke de Valck and Antoine Damiens

Who let the docs out?: Trials, tribulations, and thrills in media studies by Melis Behlil

Collaborative futures / Futuros en colaboración by Lavinia Brydon & Victoria Pastor-González 

History is, media is by John Sundholm

Ethics and Politics

Ethical imperatives: Reflections on the past and future of media studies by Mette Hjort

Green(ing) Media (Studies) by Judith Keilbach and Michał Pabiś-Orzeszyna 

Postmigrant media futures by Ömer Alkin

Murky Waters: Submerging in an aesthetics of non-transparency by Jaap Kooijman and Patricia Pisters

For a global approach to audiovisual heritage: A plea for North/South exchange in research and practice by Giovanna Fossati

Endings, beginnings, and transformations by María Paz Peirano

 
Ten years of NECSUS: A birthday card by Miriam de Rosa

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Editorial Board

Martine Beugnet
University of Paris 7 Diderot

Greg de Cuir Jr
University of Arts Belgrade

Ilona Hongisto
University of Helsinki

Judith Keilbach
Universiteit Utrecht

Skadi Loist
Norwegian University of Science and Technology

Toni Pape
University of Amsterdam

Maria A. Velez-Serna
University of Stirling

Andrea Virginás 
Babeș-Bolyai University

Partners

We would like to thank the following institutions for their support:

  • European Network for Cinema and Media Studies (NECS)
  • Further acknowledgements →

Publisher

NECS–European Network for Cinema and Media Studies is a non-profit organization bringing together scholars, archivists, programmers and practitioners.

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The online version of NECSUS is published in Open Access and all issue contents are free and accessible to the public.

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