Features
A conversation with Henry Jenkins by Doron Galili
Documentary’s longue durée: Beginnings, formations, genealogies by Charles Musser
Adaptive images: Practices and aesthetics of situative digital imaging by Kathrin Friedrich, Moritz Queisner, Matthias Bruhn
Special section: #Method
Method unchained: To new adventures of ideas by Toni Pape
On #Method: A roundtable with the NECSUS editorial board
Methods we live by: Proceduralism, process, and pedagogy by Michael Stevenson and Tamara Witschge
Mistake as method: Towards an epistemology of errors in creative practice and research by Maria Korolkova and Simon Bowes
Encounters and affinities: Exchanges through the essay form by Malini Guha
Teaching writing with images: The role of authorship and self-reflexivity in audiovisual essay pedagogy by Roberto Letizi and Simon Troon
Film studies and the experimental method by Mario Slugan
Capturing film festival buzz: The methodological dilemma of measuring symbolic value by Diane Burgess
Towards an understanding of children’s screen genres in the streaming video era: Reflecting on shifting intersections between digital media and screen studies by Jessica Balanzategui
Disciplinary itineraries and digital methods: Examining the Kinomatics collaboration networks by Deb Verhoeven, Paul S. Moore, Amanda Coles, Bronwyn Coate, Vejune Zemaityte, Katarzyna Musial, Elizabeth Prommer, Michelle Mantsio, Sarah Taylor, Ben Eltham, Skadi Loist, Alwyn Davidson
Festival Reviews | Special Dossier: Covid-19
edited by Marijke de Valck and Antoine Damiens
Film festivals and the first wave of COVID-19: Challenges, opportunities, and reflections on festivals’ relations to crises by Marijke de Valck and Antoine Damiens
The International Labour Film Festival in Turkey by Asli Ozgen-Tuncer
Beyond a shadow of a doubt: For the Elche International Independent Film Festival dying is not an option by Montserrat Jurado-Martin and Francisco-Julián Martínez-Cano
San Luis Obispo International Film Festival: The social responsibility of redesigning an American film festival by Justice A. Whitaker
SXSW, Amazon, and the difficulty of staging an exclusive event online by Phil Hobbins-White and Brad Limov
Come together? Curating communal viewing experiences for hybrid and online film festivals by Dagmar Brunow
Story within a story: Vues d’Afrique in the time of COVID-19 by Sheila Petty
Book Reviews
edited by Lavinia Brydon and Victoria Pastor-González
‘Color Mania’ and ‘Chromatic Modernity’: The polychrome experience of the moving image by Rossella Catanese
The Queer Fantasies of the American Sitcom / Queering Gender by Spiros Chairetis
The Origins of the Film Star System / George Clooney by Sarah Polley
Displacing as a method: On ‘Displacing Caravaggio’ and ‘Dance of Values’ by Marie Rebecchi
Exhibition Reviews
edited by Miriam de Rosa and Leo Goldsmith
The Supermarket of Images: A conversation with curators Peter Szendy, Emmanuel Alloa, and Marta Ponsa by Claire Salles
Mediating climate visualities: Notes on Meteorological Mobilities by Mariana Cunha
Glitch: Art & Technology: Processing media matter by Rania Gaafar
Audiovisual Essays
edited by Liz Greene
Sound and the audiovisual essay, part 1: Dialogue, music, and effects by Liz Greene
The Elephant Man’s Sound, Tracked by Liz Greene
Talking [Heads] About Whitney by Jaap Kooijman
Beyond the Catchy Tunes: George Bruns and the Craft of Transparent Underscoring by Oswald Iten
Sonic Chronicle, Post Sound by Cormac Donnelly
