Autumn 2020_#Method

Method unchained: To new adventures of ideas by Toni Pape

On #Method: A roundtable with the NECSUS editorial board

Methods we live by: Proceduralism, process, and pedagogy by Michael Stevenson and Tamara Witschge

Mistake as method: Towards an epistemology of errors in creative practice and research by Maria Korolkova and Simon Bowes

Encounters and affinities: Exchanges through the essay form by Malini Guha

Teaching writing with images: The role of authorship and self-reflexivity in audiovisual essay pedagogy by Roberto Letizi and Simon Troon

Film studies and the experimental method by Mario Slugan

Capturing film festival buzz: The methodological dilemma of measuring symbolic value by Diane Burgess

Towards an understanding of children’s screen genres in the streaming video era: Reflecting on shifting intersections between digital media and screen studies by Jessica Balanzategui

Disciplinary itineraries and digital methods: Examining the Kinomatics collaboration networks by Deb Verhoeven, Paul S. Moore, Amanda Coles, Bronwyn Coate, Vejune Zemaityte, Katarzyna Musial, Elizabeth Prommer, Michelle Mantsio, Sarah Taylor, Ben Eltham, Skadi Loist, Alwyn Davidson

          edited by Marijke de Valck and Antoine Damiens

Film festivals and the first wave of COVID-19: Challenges, opportunities, and reflections on festivals’ relations to crises by Marijke de Valck and Antoine Damiens

The International Labour Film Festival in Turkey by Asli Ozgen-Tuncer

Beyond a shadow of a doubt: For the Elche International Independent Film Festival dying is not an option by Montserrat Jurado-Martin and Francisco-Julián Martínez-Cano

San Luis Obispo International Film Festival: The social responsibility of redesigning an American film festival by Justice A. Whitaker

SXSW, Amazon, and the difficulty of staging an exclusive event online by Phil Hobbins-White  and Brad Limov

Come together? Curating communal viewing experiences for hybrid and online film festivals by Dagmar Brunow

Story within a story: Vues d’Afrique in the time of COVID-19 by Sheila Petty

          edited by Lavinia Brydon and Victoria Pastor-González

‘Color Mania’ and ‘Chromatic Modernity’: The polychrome experience of the moving image by Rossella Catanese

The Queer Fantasies of the American Sitcom / Queering Gender by Spiros Chairetis

The Origins of the Film Star System / George Clooney by Sarah Polley

Displacing as a method: On ‘Displacing Caravaggio’ and ‘Dance of Values’ by Marie Rebecchi

          edited by Miriam de Rosa and Leo Goldsmith

The Supermarket of Images: A conversation with curators Peter Szendy, Emmanuel Alloa, and Marta Ponsa by Claire Salles

Mediating climate visualities: Notes on Meteorological Mobilities by Mariana Cunha

Glitch: Art & Technology: Processing media matter by Rania Gaafar

          edited by Liz Greene

Sound and the audiovisual essay, part 1: Dialogue, music, and effects by Liz Greene

The Elephant Man’s Sound, Tracked by Liz Greene

Talking [Heads] About Whitney by Jaap Kooijman

Beyond the Catchy Tunes: George Bruns and the Craft of Transparent Underscoring by Oswald Iten

Sonic Chronicle, Post Sound by Cormac Donnelly