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You are here: Home1 / Journal2 / Autumn 2019_#Gesture
Autumn 2019_#Gesture
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Features: 

Editorial NECSUS

At the threshold into new worlds: Virtual reality game worlds beyond narratives by Kai Matuszkiewicz and Franziska Weidle

(Un)Frozen expressions: Melodramatic excess, affective interval, and the transformative powers of experimental cinema by Jiří Anger

‘The refugee is … FOOD FOR BIOPOLITICS’: Critical knowledgescapes in Ursula Biemann’s Contained Mobility and X-Mission by Ljudmila Bilkic

Iconomy of the derivative image: Effacing the visual currency in Société Réaliste’s The Fountainhead by Calum Watt

Mid-twentieth century radio art: The ontological insecurity of the radio text by Pedro Querido

Special section: #Gesture

edited by Miriam de Rosa

On gesture, or of the blissful promise by Miriam de Rosa

The autistic gesture: Film as neurological training by Janet Harbord

‘Pure gesturality’: Exploring cinematic encounters through exotic dancing by Marco Dalla Gassa

The filmed body and the cinematic gesture: Zoe Beloff’s revisions by Christa Blümlinger

Drawing light: Gesture and suspense in the weave by Nicole DeBrabandere and Alanna Thain

(Not) doing it for the Vine: #Boredom Vine videos and the biopolitics of gesture by Tina Kendall

Touchscreens, tactility, and material traces: From avant-garde artists to Instagram ASMRtists by Jennifer O’Meara

Selfie-screen-sphere: Examining the selfie as a complex, embodying gesture by Darren Berkland 

Festival reviews:

edited by Marijke de Valck, Skadi Loist, and Antoine Damiens

Film diplomacy in action at the 23rd Boston Turkish Festival: A critical look at immigrants efforts to promote Turkish culture by Jülide Etem

Reflections on Montreal’s Elektra festival, its twentieth edition, and the exhibition of digital media art by Ger Zielinski 

Fields of Loves: Historicising and defining (French) queerness by Antoine Damiens 

Exhibition reviews:

edited by Miriam de Rosa and Leo Goldsmith

Blackout / IFFR by Jesse Cumming

Both inside the circle and out: Béla Tarr’s Missing People at the Vienna Festival by Jonathan Klamer 

Book reviews:

edited by Lavinia Brydon and Victoria Pastor-González

Media Experiences / Popularizing Japanese TV by Georgia Aitaki

Pinpointing the ‘cinematic’ in twenty-first century art: Dreamlands / On Desire by Fatima Chinita

Female Authorship and the Documentary Image / Female Agency and Documentary Strategies by Alina Predescu

Audiovisual essays:

edited by Tracy Cox-Stanton

Gesture and videographic writing: Manifesting the ‘in between’ by Tracy Cox-Stanton

Gesture in A Woman Under the Influence, a charting of relations by Tracy Cox-Stanton

The Mighty Maestro on Screen by Evelyn Kreutzer

Hands, Up by A Zinsel

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Editorial Board

Martine Beugnet
University of Paris 7 Diderot

Greg de Cuir Jr
University of Arts Belgrade

Ilona Hongisto
University of Helsinki

Judith Keilbach
Universiteit Utrecht

Skadi Loist
Norwegian University of Science and Technology

Toni Pape
University of Amsterdam

Maria A. Velez-Serna
University of Stirling

Andrea Virginás 
Babeș-Bolyai University

Partners

We would like to thank the following institutions for their support:

  • European Network for Cinema and Media Studies (NECS)
  • Further acknowledgements →

Publisher

NECS–European Network for Cinema and Media Studies is a non-profit organization bringing together scholars, archivists, programmers and practitioners.

Access

Online
The online version of NECSUS is published in Open Access and all issue contents are free and accessible to the public.

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The online repository media/rep/ provides PDF downloads to aid referencing. Volumes are also indexed in the DOAJ. Please consider the environmental costs of printing versus reading online.

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