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You are here: Home1 / Journal2 / Autumn 2018_#Mapping
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Features: 

Editorial NECSUS

Early cinema, Sergei Eisenstein, and film culture today: An interview with Ian Christie on new directions in film history by Annie van den Oever and Malte Hagener

The playfulness of Ingmar Bergman: Screenwriting from notebooks to screenplays by Anna Sofia Rossholm

Handmade films and artist-run labs: The chemical sites of film’s counterculture by Rossella Catanese and Jussi Parikka

Border crossings: Serial figures and the evolution of media by Shane Denson and Ruth Mayer


Special section: #Mapping

edited by Giorgio Avezzù, Teresa Castro, and Giuseppe Fidotta

The exact shape of the world? Media and mapping by Giorgio Avezzù, Teresa Castro, and Giuseppe Fidotta

The mapping of ‘500 Days of Summer’: A processual approach to cinematic cartography by Chris Lukinbeal

Earth networks: ‘The Human Surge’ and cognitive mapping by Tiago de Luca 

Digital maps and fan discourse: Moving between heuristics and interpretation by Marta Boni

Embodied cartographies of the unscene: A feminist approach to (geo)visualising film and television production by Laura Sharp

Making the map speak: Indigenous animated cartographies as contrapuntal spatial representations by Lola Remy 

Plus ultra: Coloniality and the mapping of American natureculture in the empire of Philip II by Adam Wickberg

Media mapping and oil extraction: A Louisiana story by Janet Walker


Festival reviews:

edited by Marijke de Valck and Skadi Loist

A brief study of film festivals in Mexico: Consumption and historical evolution 2010-2016 by Jacob Bañuelos and Juan Olmedo

The Dutch film festival landscape: A walk-through by Harry van Vliet 

Evidentiary aesthetics: Landscapes of violence at RIDM 2017 by Patrick Smith


Exhibition reviews:

edited by Miriam de Rosa and Leo Goldsmith

Codes of conflux: Collaborations between human and computer in MoMa’s ‘Thinking Machines’ by Leo Goldsmith

Nothing stable under heaven at the San Francisco Museum of Modern Art by Justin Ross Muchnick

Racial phantasmagoria: The demonisation of the other in Richard Mosse’s ‘Incoming’ by Diego Ramirez


Book reviews:

edited by Lavinia Brydon and Victoria Pastor-González

(Re)imagining African independence by Vicente Sanchez-Biosca 

Form and feeling: Kinaesthetic Knowing / Artificial Darkness by Seth Barry Watter


Audiovisual essays:

edited by Miklós Kiss

Videographic scene analyses, part 2 by Miklós Kiss 

Witnessing the western by Luís Azevedo 

Marxism in ‘Metropolis’ by Greta Calaciura and Shant Bayramian 

The l/song take in ‘Before Sunrise’ by Ian Garwood

Agent of chaos: Discontinuous editing in ‘The Dark Knight’ by Drew Morton

Tags: mapping

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Partners

We would like to thank the following institutions for their support:

  • European Network for Cinema and Media Studies (NECS)
  • Further acknowledgements →

Publisher

NECS

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Online
The online version of NECSUS is published in Open Access and all issue contents are free and accessible to the public.

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The online repository media/rep/ provides PDF downloads to aid referencing. Volumes are also indexed in the DOAJ. Please consider the environmental costs of printing versus reading online.

Editorial Board

Martine Beugnet
University of Paris 7 Diderot

Greg de Cuir Jr
University of Arts Belgrade

Judith Keilbach
Universiteit Utrecht

Skadi Loist
Film University Babelsberg Konrad Wolf

Toni Pape
University of Amsterdam

Belén Vidal
King’s College London

Andrea Virginás 
Sapientia University

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July 8, 2022

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