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You are here: Home1 / Journal2 / Autumn 2017_#Dress
#Dress
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Features:

Editorial Necsus

The journeys of a film phenomenologist: An interview with Vivian Sobchack on being and becoming by Julian Hanich

La Grande Bellezza: Adventures in transindividuality by Elena del Río

Intertextuality, cybersubculture, and the creation of an alternative public space: ‘Danmu’ and film viewing on the Bilibili.com website, a case study by Zhu Yeqi

The ghost is just a metaphor: Guillermo del Toro’s Crimson Peak, nineteenth-century female gothic, and the slasher by Evangelia Kindinger

Providing evidence for a philosophical claim: The Act of Killing and the banality of evil by Thomas E. Wartenberg


Special section: #Dress

Dressing the surface by Giuliana Bruno

Redressing perspectives: Mediation, embodiment, and materiality in digital fashion and smart textiles by Frances Joseph

Only a groomed woman deserves her name: Fashion, emancipation, and stardom in the Czechoslovak film musical The Lady of the Lines by Šárka Gmiterková and Miroslava Papežová

Womanliness as animal masquerade by Isabelle Freda

The dress is the screen: Dancing fashion, dancing media by Marie-Aude Baronian


Festival reviews:

edited by Marijke de Valck and Skadi Loist

Mapping the fashion film festival landscape: Fashion, film, and the digital age by Mariana Medeiros Seixas

Fashion film festivals: Shifting perspectives on fashion in one of the world’s dirtiest industries by Janneke van der Linden

Breaking down the tribes: Opening night films at Frameline and Sydney Mardi Gras Film Festival by Stuart Richards

Topophilic tendencies at Birmingham’s Flatpack Film Festival by Sarah Smyth


Exhibition reviews:

edited by Miriam de Rosa and Leo Goldsmith

Promenade through the theatre of illusion: Dioramas in Palais de Tokyo by Oksana Chefranova

Urban Now: City Life in Congo by Sanne Sinnige

Whose perspective is this? A few thoughts on Eija-Liisa Ahtila’s Studies on the Ecology of Drama by Lukas Brasiskis


Book reviews:

edited by Lavinia Brydon and Victoria Pastor-González

A new era of Maghrebi-French cinema: Two perspectives by Alena Strohmaier

Social Media – New Masses / Updating to Remain the Same by Daniël de Zeeuw

Marx at the Movies / Cartographies of the Absolute by Pietro Bianchi


Audiovisual essays:

guest edited by Volker Pantenburg

Towards an alternative history of the video essay: Westdeutscher Rundfunk, Cologne by Volker Pantenburg

TELEKRITIK: Über Song of Ceylon (Director: Harun Farocki, First broadcast: 7 October 1975)

TELEKRITIK: Über zwei Filme von Peter Nestler (Director: Rainer Gansera, First broadcast: 28 October 1975)

Fritz Lang (1974/1990) (Director: Werner Dütsch, First broadcast: 3 December 1990)

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Editorial Board

Martine Beugnet
University of Paris 7 Diderot

Greg de Cuir Jr
University of Arts Belgrade

Ilona Hongisto
University of Helsinki

Judith Keilbach
Universiteit Utrecht

Skadi Loist
Norwegian University of Science and Technology

Toni Pape
University of Amsterdam

Maria A. Velez-Serna
University of Stirling

Andrea Virginás 
Babeș-Bolyai University

Partners

We would like to thank the following institutions for their support:

  • European Network for Cinema and Media Studies (NECS)
  • Further acknowledgements →

Publisher

NECS–European Network for Cinema and Media Studies is a non-profit organization bringing together scholars, archivists, programmers and practitioners.

Access

Online
The online version of NECSUS is published in Open Access and all issue contents are free and accessible to the public.

Download
The online repository media/rep/ provides PDF downloads to aid referencing. Volumes are also indexed in the DOAJ. Please consider the environmental costs of printing versus reading online.

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