Features:
Temps mort: Speaking about Chantal Akerman (1950-2015) by Eric de Kuyper and Annie van den Oever (PDF)
Agamben’s cinema: Psychology versus an ethical form of life by Janet Harbord (PDF)
Richard Serra: Sculpture, television, and the status quo by Francesco Spampinato (PDF)
Dredging, drilling, and mapping television’s swamps: An interview with John Caldwell on the 20th anniversary of Televisuality by Markus Stauff (PDF)
Special section: Vintage
guest edited by Kim Knowles
Locating vintage by Kim Knowles (PDF)
A theoretical approach to vintage: From oenology to media by Katharina Niemeyer (PDF)
Technostalgia of the present: From technologies of memory to a memory of technologies by Tim van der Heijden (PDF)
The way we watched: Vintage television programmes, memories, and memorabilia by Helen Piper (PDF)
Retro, faux-vintage, and anachronism: When cinema looks back by Stefano Baschiera and Elena Caoduro (PDF)
No time like the past?: On the new role of vintage and retro in the magazines Scandinavian Retro and Retro Gamer by Kristian Handberg (PDF)
Death, beauty, and iconoclastic nostalgia: Precarious aesthetics and Lana Del Rey by Arild Fetveit (PDF)
Audiovisual essays:
edited by Cristina Álvarez López and Adrian Martin
Learning from popular genres – with help from the audiovisual essay by C. Álvarez López and A. Martin (PDF)
Construction of a Heist by Henrike Lindenberger (PDF)
Comedy Vitti Style by Pasquale Iannone (PDF)
Book reviews:
edited by Lavinia Brydon and Alena Strohmaier (NECS Publication Committee)
The Lumière Galaxy by Francesco Pitassio (PDF)
Beautiful Data / The Democratic Surround by Malte Hagener (PDF)
Cinema of the Swimming Pool / Cinema as Weather by Adam O’Brien (PDF)
Festival reviews:
edited by Marijke de Valck and Skadi Loist (Film Festival Research Network)
Selling film in the summer of 2015: Midnight Sun, Il Cinema Ritrovato, and Karlovy Vary by Maria San Filippo (PDF)
Made in Peru: Lima Film Festival comes of age by Sarah Barrow (PDF)
Strong positioning on the international festival circuit: An interview with Diana Iljine of Filmfest München by Tanja C. Krainhöfer (PDF)
Exhibition reviews:
edited by Miriam De Rosa and Malin Wahlberg (NECS Publication Committee)
Hollis Frampton’s ‘other work’ by Michael Zryd (PDF)
Theaters: Cinematic vintage magnified by Miriam De Rosa (PDF)
Arab Pop: Whose Gaze is it Anyway? by James Harvey-Davitt (PDF)
Artists’ Film Biennial, ICA 2014 by Sophia Satchell-Baeza (PDF)
