It is fairly common knowledge that all sorts of everyday interactions and engagements with media are captured as byproduct data.[1] It is probably also fairly well-known that such data is routinely harvested by capitalist organisations which then use it in an attempt to predict things about us.[2] However, the ways in which this byproduct data […]
Exhibition: Edvard Munch: The modern eye, Tate Modern, London (28 June 2012-14 October 2012) Catalogue: Edvard Munch: The modern eye, edited by Angela Lampe and Clément Chéroux (London: Tate, 2012) What makes this picture successful everywhere whether it is a canvas or a print? – Edvard Munch, 1933 Apparently, in the work of the Norwegian […]
Non-political, non-aesthetic, non-educational, non-progressive, non-cooperative, non-ethical, non-coherent: contemporary. It is after this list of negations that Hangar Bicocca in Milan decided to name Non Non Non, the first Italian retrospective dedicated to Yervant Gianikian and Angela Ricci Lucchi’s installations. Taken from a watercolour by the artists and placed at the entrance of the exhibition space, […]
The observer must become a participant, because that is the only way he can have the double experience of being the observer, and being the observed. – Marina Abramović[1] I made an advance booking in order to participate in Marina Abramović’s ‘performance’, to experience first-hand The Abramović Method: the special project the famous Serbian artist […]
Martine Beugnet
University of Paris 7 Diderot
Greg de Cuir Jr
University of Arts Belgrade
Ilona Hongisto
University of Helsinki
Judith Keilbach
Universiteit Utrecht
Skadi Loist
Film University Babelsberg Konrad Wolf
Toni Pape
University of Amsterdam
Maria A. Velez-Serna
University of Stirling
Andrea Virginás
Babeș-Bolyai University
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NECS–European Network for Cinema and Media Studies is a non-profit organization bringing together scholars, archivists, programmers and practitioners.
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