by Yevhen Vorozheikin [1] The time loop can be seen as an almost established plot device in films and television series, but there are ways of using it in unusual and unique manners, such as in Endless Eight. Endless Eight is a narrative arc of the second season of the anime The Melancholy of Haruhi […]
In recent years the notion of the atlas has become a fashionable concept in both critical theory and contemporary art. Artists such Gerhard Richter and Walid Raad have named two of their most important projects after this ancient publishing genre, while the notion emerged as a means of addressing both the epochal archival impulse and […]
Now is the time of/for crisis – whether we think about the global financial system, the environment, the European Union, democracy, publishing, even the arts. As we live our mediated and connected lives the symptoms appear to be everywhere. These crises are inextricably and fundamentally linked to the media because without the media we would […]
In the introduction to her book Crisis and Capitalism in Contemporary Argentine Cinema (Durham and London: Duke University Press, 2009), Joanna Page summarises the vicissitudes of the Argentine film industry from the 1990s until now and establishes the theoretical framework of her research. By highlighting the relationship between Argentina’s economic and political situation and its […]
Dit is een samenvatting… als dit leeg blijft worden eerste 190 tekens (ongeveer 2 regels) automatisch getoond…
‘One consistent lesson from the history of film theory is that there has never been a general consensus concerning the answer to the question “What is cinema?” And for this reason the evolving thought on cinema in the twentieth century has persisted in a continual state of identity crisis.’[1] — D. N. Rodowick
Martine Beugnet
University of Paris 7 Diderot
Greg de Cuir Jr
University of Arts Belgrade
Ilona Hongisto
University of Helsinki
Judith Keilbach
Universiteit Utrecht
Skadi Loist
Film University Babelsberg Konrad Wolf
Toni Pape
University of Amsterdam
Maria A. Velez-Serna
University of Stirling
Andrea Virginás
Babeș-Bolyai University
We would like to thank the following institutions for their support:
NECS–European Network for Cinema and Media Studies is a non-profit organization bringing together scholars, archivists, programmers and practitioners.
Online
The online version of NECSUS is published in Open Access and all issue contents are free and accessible to the public.
Download
The online repository media/rep/ provides PDF downloads to aid referencing. Volumes are also indexed in the DOAJ. Please consider the environmental costs of printing versus reading online.