In recent years the notion of the atlas has become a fashionable concept in both critical theory and contemporary art. Artists such Gerhard Richter and Walid Raad have named two of their most important projects after this ancient publishing genre, while the notion emerged as a means of addressing both the epochal archival impulse and […]
Now is the time of/for crisis – whether we think about the global financial system, the environment, the European Union, democracy, publishing, even the arts. As we live our mediated and connected lives the symptoms appear to be everywhere. These crises are inextricably and fundamentally linked to the media because without the media we would […]
In the introduction to her book Crisis and Capitalism in Contemporary Argentine Cinema (Durham and London: Duke University Press, 2009), Joanna Page summarises the vicissitudes of the Argentine film industry from the 1990s until now and establishes the theoretical framework of her research. By highlighting the relationship between Argentina’s economic and political situation and its […]
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‘One consistent lesson from the history of film theory is that there has never been a general consensus concerning the answer to the question “What is cinema?” And for this reason the evolving thought on cinema in the twentieth century has persisted in a continual state of identity crisis.’[1] — D. N. Rodowick
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Martine Beugnet
University of Paris 7 Diderot
Greg de Cuir Jr
University of Arts Belgrade
Malte Hagener
Philipps-University Marburg
Skadi Loist
Film University Babelsberg Konrad Wolf
Toni Pape
University of Amsterdam
Francesco Pitassio
University of Udine
Belén Vidal
King’s College London