Entries by Jeroen Sondervan

The filmic representation of home in transnational families: The case of ‘I for India’

by Efrén Cuevas In an increasingly globalised world, the phenomenon of transnational families has spanned many countries, raising questions as to the traditional understanding of home, a concept normally associated with the notions of homeland and the family house. This article intends to study these issues through an analysis of I for India (2005), a […]

The Calais Jungle: Mediations of home

by Mireille Rosello In October 2016 something happened that the French authorities would like the international community to interpret as a long-overdue humanitarian intervention: the dismantling of the Jungle, the unofficial refugee camp/slum where thousands of migrants lived. The operation, however, can only be constructed as a benevolent deployment of governmental resources if the authorities […]

A place between desire and experience: Afterthoughts on Carolee Schneemann: Kinetic Painting

‘I want the evocation of space, a place between desire and experience.’ This calls forth from a screen suspended in the Museum der Moderne, Salzburg on the occasion of the exhibition Carolee Schneemann: Kinetic Painting. Playing onscreen is the footage of Carolee Schneemann’s performance Meat Joy (1964), in which Schneemann’s declaration forms part of the […]

‘Pierdom’ by Simon Roberts

Simon Roberts is a British photographer whose work centres on questions of people and place, particularly in regard to the construction and promotion of national identity. From 2011-2013 these interests fuelled a project titled Pierdom (http://pierdom.com), for which Roberts toured the British coastline capturing the country’s 58 surviving pleasure piers as well as a few […]

From single male guest worker to Muslim: An archaeology of iterating archival footage on Dutch television

by Andrea Meuzelaar Introduction Over the course of more than 50 years Dutch television has generated an enormous amount of stories about Islamic immigration and has produced a collection of images that is still rapidly expanding. These stories and images are collected and preserved in the Institute of Sound and Vision, the Dutch national audiovisual […]

Even today there are people who think these harmless little books are dangerous: An interview with David Bordwell

by Malte Hagener Following the conversation with Richard Dyer featured in the Spring 2016 issue of NECSUS, we continue our series of interviews with key figures in the field of media studies. This time we turn to David Bordwell, one of the most prolific scholars in film studies, but also a controversial figure who was […]

Being Bowie

by Will Brooker and Rebecca Hughes Brooker This film documents a project that began when a musical hero and cultural icon of mine died. Lou Reed passed away in October 2013, which made me realise I should celebrate one of my other heroes, David Bowie, while he was still alive. My way of paying tribute […]

The Place of Voiceover in Academic Audiovisual Film and Television Criticism

by Ian Garwood The line between academic and non-scholarly videographic film criticism The production of The Place of Voiceover in Academic Audiovisual Film and Television Criticism (2016) coincided with the release of two books focused on videographic film studies: The Videographic Essay – Criticism in Sound and Image, edited by Christian Keathley and Jason Mittell;[1] […]

House Arrest

by Domietta Torlasco I have always been interested in doing what Godard once described as ‘research in the form of a spectacle’. Even in my writing, I begin by collecting images and quotes, treating the latter as passages (walkways), visible points of entry into a world (of ideas) that for me always maintains a sensorial, […]

A geography of resistance: Locating US underground film and TV cultures

The latest collection from David E. James[1] and Adam Hyman (filmmaker and former executive director of the Los Angeles Filmforum) offers a historical and critical representation of the emergence and organisation of the US West Coast postwar experimental cinema scene. The book, titled Alternative Projections: Experimental Film in Los Angeles, 1945-1980 (New Barnet: John Libbey […]

Dreaming of Cinema / Slow Cinema

Adam Lowenstein’s Dreaming of Cinema: Spectatorship, Surrealism, and the Age of Digital Media (New York: Columbia University Press, 2015) and Slow Cinema (Edinburgh: Edinburgh University Press, 2016), a collection of essays edited by Tiago de Luca and Nuno Barradas Jorge, are attempts to come to grips with some of the different ways that digital technology […]